Poor Rachel Maddow Just Don't Get Herman Cain; or, 99% versus the 1%, or 90% versus 10%?

Uber-dyke Rachel Maddow, who for some reason has a show on the little-viewed MSNBC "network," makes a fool out of herself tonight by smirking through a headline segment on how Herman Cain's bizarre campaign is actually "performance art.'

As always, the ladies, especially the Angry Dykes, just don't 'get' funny.

Rather than reaching for strained, tired graduate school "media/cultural studies" tropes about "performance art," the fact [unmentionable if not unthinkable among Goodthinkers] is that Herman Cain fits into a much more established mold: the dopey negro.

See, until PC took over, negroes were objects of fun! Their dim-witted imitations of White [i.e., human ] behavior were a staple of literature, theatre, etc.

This, unfortunately, is exactly how they infiltrated our culture, sneaking up to our campfires like the equally primitive wolf and cat.



Now, of course, we're supposed to take them seriously -- indeed, regard them as uniquely Wise and Saintly [the "Magic Negro," as impersonated by Morgan Freeman, Denzel, Will, etc.].


Of course, one occasionally must look away from unseemly manifestations, such as Jesse Jackson's "Hymietown" campaign, or Louis Farrakhan's Masonic musings.

If they're on, or serve, the Liberal agenda. Otherwise, the gloves are off.

We've already seen a bit of this on Obama's part, what with his "57 states" gaffe,



an old canard from the Bill Cosby-style "School of Education" Phd's that I encountered years ago in Detroit; there's a whole buncha "real knowing" that Black Folks keep among themsaves lest the White Boss mock they learnin'. And you ain't finding none o' that in no book learnin' neether [as an official of Detroit's City Council once said to me].

Are all negroes buffoons? Of course not. Some -- Obama, our Half-Blood Prince, for example -- belong to what W. E. B. Dubois designated as "the Talented Tenth" [like all such theorists, such as Randians, he believed himself to belong to said Tenth]. As Robert Penn Warren observed in his essay "The Briar Patch" in the Southern Agrarian's manifesto, I'll Take My Stand, segregation benefited the negro precisely by confining the Talented Tenth [not using the phrase] to its own race, while integration inevitably led to the Tenth leaving for the greener pastures of the White world.

Although like many beaten-down Whites Warren apparently "repudiated" the essay, the truth of his position can be seen today in the well-documented dysfunction of "Black Run America" as opposed to the slick assimilation as Establishment puppets pulled off by the likes of Obama.